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October 2016

Safiya Sinclair was born and raised in Montego Bay, Jamaica. 
Her first full-length collection, Cannibal (University of Nebraska Press, 2016), won the 2015 Prairie Schooner Book Prize in Poetry and a 2016 Whiting Writers’ Award.

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Sinclair is the recipient of a 2015 Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation, fellowships from the Bread Loaf Writers' Conference and the Fine Arts Work Center in Provincetown, the Amy Clampitt Residency Award, an Academy of American Poets Prize, the Glenna Luschei Award from Prairie Schooner, and was the winner of the 2015 Boston Review Annual Poetry Contest. Her poems have appeared or are forthcoming in PoetryThe Kenyon Review, The Nation, New England ReviewBoston Review, Gulf Coast, The Gettysburg ReviewTriQuarterlyThe Iowa Review, and elsewhere.  

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She received her MFA in poetry at the University of Virginia and is currently a PhD candidate in literature and creative writing at the University of Southern California.

Find Sinclair's poems "How to be an Interesting Woman: A Polite Guide for the Poetess" and "The Art of Unselfing" below.

poems

How to Be an Interesting Woman:

A Polite Guide for the Poetess

       

Call me Mary. Call me Sophie.

Call me what you like.

I'll answer to any man who looks

at me right.

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You may come to my garden

and steal hydrangeas in the night.

I'll suck your thumb

and play dumb.

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I'll pretend I can make anything

grow. Rosebushes and violets

and bruises for show. I'll open

my hot mouth for an orchid

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to snake out; I've been practising

this bee-sting pout. I will titter

and flutter and faint. Write hundreds

of sonnets in your name.

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(Each one born fat and sunny.

Then I can claim to have made

something happy.)

Light pools slick in my eyelids—

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I am all lashes and lips.

I have learnt how to smile, how to

talk with my hips, how to swallow

my words, how to make myself

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small. I won't make a fuss.

I will coo. I will crawl.

And if you knock right,

this spine will give out—

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I will crumble and weed and paw

at your feet. Unbraid and emote,

walk faceless from the brink;

if you spit, I will drink.

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I will grow heavy and silent

and sick. I will strip you right down

to the bone. I will take your name.

I will take your home

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and wake dark with a song

on which you finally choke;

my black hair furring thick

in the gawk of your throat.

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The Art of Unselfing

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The mind's black kettle hisses its wild

exigencies at every turn: The hour before the coffee

and the hour after.

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Penscratch of the gone morning, woman

a pitched hysteria watching the mad-ant scramble,

her small wants devouring.

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Her binge and skin-thrall.

Her old selves being shuffled off into labyrinths,

this birdless sky a longing.

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Her moth-mouth rabble unfacing these

touch-and-go months under winter, torn letters

under floorboards,

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each fickle moon pecked through with doubt.

And one spoiled onion. Pale Cyclops

on her kitchen counter

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now sprouting green missives,

some act of contrition; neighbor-god's vacuum

a loud rule thrown down.

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Her mother now on the line saying too much.

This island is not a martyr. You tinker too much

with each gaunt memory, your youth

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and its unweeding. Not everything blooms here

a private history—consider this immutable. Consider

our galloping sun, its life.

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Your starved homesickness. The paper wasp kingdom

you set fire to, watched for days until it burnt a city in you.

Until a family your hands could not save

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became the hurricane. How love is still unrooting you.

And how to grow a new body—to let each word be the wild rain

swallowed pure like an antidote.

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Her mother at the airport saying don't come back.

Love your landlocked city. Money. Buy a coat.

And even exile can be glamorous.

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Some nights she calls across the deaf ocean to no one

in particular. No answer. Her heart's double-vault

a muted hydra.

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This hour a purge

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of its own unselfing

She must make a home of it.

 

 

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Poems are reproduced from Cannibal by Safiya Sinclair by 
permission of the University of Nebraska Press. Copyright

2016 by the Board of Regents of the University of Nebraska.

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